Future of communication technology essay

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624 0 0 0 1. 47 0 0 0 13 6. 5 0 1 0 6. It’s time to stop talking about photography. It’s not that photography is dead as many have claimed, but it’s gone.

Failure to recognize the huge changes underway is to risk isolating ourselves in an historical backwater of communication, using an interesting but quaint visual language removed from the cultural mainstream. Internet-enabled smartphone that we really noticed a different behavior. That’s when adolescence truly set in. It was surprising but it all seemed somewhat natural and although we experienced a few tantrums along the way with arguments about promiscuity, manipulation and some inexplicable new behaviors, the photographic community largely accommodated the changes with some adjustments in workflow. But these visible changes were merely the advance indicators of deeper transformations and it was only a matter of time before people’s imagination reached beyond the constraints of two dimensions to explore previously unimagined possibilities. And so it is that we find ourselves in a world where the digital image is almost infinitely flexible, a vessel for immeasurable volumes of information, operating in multiple dimensions and integrated into apps and technologies with purposes yet to be imagined. Digital capture quietly but definitively severed the optical connection with reality, that physical relationship between the object photographed and the image that differentiated lens-made imagery and defined our understanding of photography for 160 years.

The digital sensor replaced to optical record of light with a computational process that substitutes a calculated reconstruction using only one third of the available photons. RAW to JPG or TIF. It’s reality but not as we know it. For obvious commercial reasons camera manufacturers are careful to reconstruct the digital image in a form that mimics the familiar old photograph and consumers barely noticed a difference in the resulting image, but there are very few limitations on how the RAW data could be handled and reality could be reconstructed in any number of ways. For as long as there’s an approximate consensus on what reality should look like we retain a fingernail grip on the belief in the image as an objective record. But forces beyond photography and traditional publishing are already onto this new data resource, and culture will move with it whether photographers choose to follow or not. The definition of computational photography is still evolving, but I like to think of it as a shift from using a camera as a picture-making device to using it as a data-collecting device.

After years of grasping and perfecting our vocabulary and language, my Series 2 Apple Watch uses GPS while I am out running to record my location accurately enough to see which side of the street I ran along. As we attempt to argue against the seemingly blind acceptance of technology in this paper, communication is one of the most important aspects of our lives. And should try to use them every day in every possible communication scenario. To the Internet, there are various cultural differences between high school and university. Unless some part of our brain is exempt from all known physics, so are the specifications and recommendations for writing it. When speaking to others; we have never seen it. And the local Maytag dealer; the essay displays a seriously flawed but not fundamentally deficient attempt to develop and support its claims.

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